简要：This movie tells the story of Ellie, Moron, Aquas, Phil, and Toro. They live together in Buenos Aires. It showcases the intimate feeling of each day's scenes being pieced together like puzzle pieces of five characters for five days of the week. Everyone has experienced different situations, ultimately forming a unique scene about our desires and limitations in life. S ó lo por hay combines simple stories, realistic and natural performances, good dialogue, captivating photography techniques, and some camera experiments. I suddenly remembered that director Ariel Root's influence ranged from Eric Rohmer to Jean Luc Godard, and then to the emergence of video art and music videos in the 1990s. Although it shares the same timeline as the history of Argentine cinema; Pizza, Birra Faso;, And a certain tendency to work on issues involving marginalization, which is a different perspective; "S ó lo por hoy"; sees a different and more aesthetically demanding way of film production. I would like to say that this film is from the Argentine neorealism of the 1990s; as I mentioned before, as well as those films that look forward to more complex visual and actor challenges.
This movie tells the story of Ellie, Moron, Aquas, Phil, and Toro. They live together in Buenos Aires. It showcases the intimate feeling of each day's scenes being pieced together like puzzle pieces of five characters for five days of the week. Everyone has experienced different situations, ultimately forming a unique scene about our desires and limitations in life. S ó lo por hay combines simple stories, realistic and natural performances, good dialogue, captivating photography techniques, and some camera experiments. I suddenly remembered that director Ariel Root's influence ranged from Eric Rohmer to Jean Luc Godard, and then to the emergence of video art and music videos in the 1990s. Although it shares the same timeline as the history of Argentine cinema; Pizza, Birra Faso;, And a certain tendency to work on issues involving marginalization, which is a different perspective; "S ó lo por hoy"; sees a different and more aesthetically demanding way of film production. I would like to say that this film is from the Argentine neorealism of the 1990s; as I mentioned before, as well as those films that look forward to more complex visual and actor challenges.展开
