简要：Harun Farocki believes that photographers working in advertising today have to some extent continued the tradition of 17th century Flemish painters, who depicted objects in daily life; Still life;. The film producer illustrated this interesting hypothesis with three documentary clips that showcase the contemporary creations of photographers in their work; Still life ": A cheese board, a beer glass, and an expensive watch. Harlan Farouk's extraordinary film is a powerful discourse and commentary on contemporary life. It compared the still life of Dutch painters with today's still life: advertising photos of cheese, beer, and watches. Farocki's movies are about objects because, according to the director, "; Gods and heroes are no longer imaginable&"Farocki showcases our reality through a behind the scenes glimpse of modern advertising offices, where employees place items correctly for maximum sales, and items witness their producers. Among these objects, there is a new image of a person.
Harun Farocki believes that photographers working in advertising today have to some extent continued the tradition of 17th century Flemish painters, who depicted objects in daily life; Still life;. The film producer illustrated this interesting hypothesis with three documentary clips that showcase the contemporary creations of photographers in their work; Still life ": A cheese board, a beer glass, and an expensive watch. Harlan Farouk's extraordinary film is a powerful discourse and commentary on contemporary life. It compared the still life of Dutch painters with today's still life: advertising photos of cheese, beer, and watches. Farocki's movies are about objects because, according to the director, "; Gods and heroes are no longer imaginable&"Farocki showcases our reality through a behind the scenes glimpse of modern advertising offices, where employees place items correctly for maximum sales, and items witness their producers. Among these objects, there is a new image of a person.展开
