CC伯格曼花絮，8.2分+
作为纪录片来说，是一部完成度与情感渲染力很出色的作品，尤其通过巧妙的蒙太奇将伯格曼/乌曼的电影和人生穿插并置重叠，仿佛假面一般模糊了现实与梦境的界限，晕染出爱情与生活的真相，听着丽芙缓缓又动情的讲述，我是真的相信即便岁月摧残了感情的相守相依，到头来折磨让相爱之人走向分离的必然归宿，丽芙那一颗颗动情的眼泪仍是对曾有过最美好时光的追忆与祝福，正如那湛蓝的眼眸深处藏着法罗岛海滩滚滚而来又逝去的风浪，将他们初遇年轻的我俩，你的害羞
孩童 大海 peaceful
LETTER from INGMAR
Now there is only one demand
and that is to be alive
Dare to give life, dare to receive life
And dare to let it hurt
and dare to let it feel good
To dare, my love
SECURITY
At night, and I am not talking sexually now, lying in that bed, listening to the ocean and the way he held around me and there was nothing unquestionded.
Daughter and Security
HOW CAN I EXPLAIN THE ENORMOUS FEELING OF SECURITY IN KNOWING THAT NOW SHE WAS WITH ME IN THE WORLD?
I lay in my bed the first night after she was born and twisted the ring he had given me, put on the light to admire it, read the letter he had written to his daughter and me. NO DANGER COULD REACH ME TAHT NIGHT.
LONELINESS
(劇透) 一個七十多歲的老婆婆，在鏡頭面前向全世界講述她跟藝術家的愛情故事：她是著名挪威女演員莉芙烏曼(Liv Ullmann)，藝術家是已故的瑞典電影大師英瑪褒曼。女演員和導演，不是順理成章也是近水樓台。她是他的御用女主角、靈感女神，在拍攝電影《假面》 (Persona)的時候燃起愛火。那時候，雙方皆已婚，那是不倫之戀。他們拋開元配在Faro小島上相宿相棲，不結婚但育有一女，但愛火最終也炙熱傷人。
褒曼的控制慾和嫉妒心甚強，他要成為烏曼戲裡戲外的導演，逼使她除了演戲的時候、以及逢週三的「假期」外
We are painfully connected.
This is destiny we could not ignore.
Throughout the window,
floats my dream
You broke the door
Imprisoned my happiness
from nowhere to
the land with your overwhelmed passion and desire.
Childishly we laugh,
Wildly I longing to thee.
Lay down my naked tenderness
under your sunshine,
Luminous, and delicate
No more adorable, worship
until my complete freedom
was sealed
deeply into thee.
I stand by your side, though not with you.
Silence. Sometimes, pain.
Startled eyes, I stare at the shadow in the corner
Violently I reacted,
to escape from the suffocated loneliness,
finally I realized which was created by myself
I know, we are painfully connected.
Biggest sorrow, I was left
by you.
I am not alone
but with a companion and friend everlasting.
Sometimes when you miss
you don't know how much
till your tears come out unconsciously
引用《月亮与六便士》中的一段陈述，非常精确的道出了这两个人的关系。
可能是电影大师吧，本质上就一自恋狂。把女人当成血包吸食，用于缓解妨碍他创作的阴暗面，所谓的爱情和灵魂伴侣，都是自恋型人格障碍欺骗自己和他人的手段。一旦吸血成功，这个女人就成了奴隶，变成影响他追求理想的累赘。可怜的女人还因为男人的一句赞美觉得无比光荣。一颗星不是给电影的，而是给这位大师的人格。
这部传记片本身就美得像电影，因为两个主角与电影的关系，更因为那片蓝色的挪威海岸。在海岛上，丽芙第一次与伯格曼相遇，他们在岛上建了房子，筑了一个与世隔绝的美梦，明知会醒，但之后的爱恨纠葛依然如期上演。
印象中，丽芙给我的感觉并不算惊艳，因为她扮演的大多是些平凡的女性角色。但也是她让我第一次新奇地感到，原来在生活的平淡琐碎里还有那么多丰富细微的情绪，她的表演不是细腻而是细微，让你觉得就在某个不经意的瞬间里，她忽然会美得熠熠生辉。一个好的演员并不在于他出演过多么光芒万丈的角色
《丽芙与英格玛》你相信一個影后的眼淚嗎？
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