Produced in the middle of 20th century, A Place in the Sun is using classical aspect ratios. The director is very good at utilizing the frames to display the relationships between the characters. When George first arrived at his uncle Mr. Eastman’s home, Mr. and Mrs. Eastman and their daughter sat down in a sofa, while their son stood up confronting him, implying the hostile and contempt towards him. The two spaces within frame describes the divide between the rich and th
完全出乎意料的惊艳啊!
渡鸦凄厉的叫声唤醒着杀机与死亡,在船上光只打到乔治的右脸,更能显出他内心的纠结挣扎。
在家中打电话时,镜头是通过房门窥见的,寓示着他将夹在安吉拉和爱丽丝之间,二人如两条门框将他困住。
从下车到落水期间不断遇到人,紧张感塑造得很好。
开头是致敬《一夜风流》里盖博的打车姿势吗男主之前一直意气风发倜傥挺拔,直到爱丽丝落水后,他在与安吉拉父亲见面时特意用了个远景,直接把她爸的自然大方与他的略显佝偻的身影加以对比更是突出了他的心虚怯懦。
半年多没写观后感了。原因是人懒手懒脑子懒。这几天忽然发现自己老年痴呆的迹象日趋严重,不禁惶惶不可终日。别无他法,只得重新操起键盘。不料多日不练,猛一下笔,感觉文笔生疏。好在原来的文笔也不怎么样,先将就着吧。
这些日子虽然没写观感,眼睛却没闲着,在看美国电影学院评选的20世纪百部最佳电影。里面有我喜欢的《鸳梦重温》、《偷拐抢骗》、《日落大道》等经典影片,也有看不懂的《鸭羹》、《逍遥骑士》等。现在看到了第92部《郎心似铁》。今天就从它谈起。
讲的是穷小子乔治进城投靠叔叔
《郎心似铁》优秀!A PLACE IN THE SUN
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